LAST EXIT TO BROOKLYN TRALALA CHAPTER PDF

A collective of bibliophiles talking about books. Book Fox vulpes libris : small bibliovorous mammal of overactive imagination and uncommonly large bookshop expenses. Habitat: anywhere the rustle of pages can be heard. I was 17 years old when I first read Last Exit to Brooklyn.

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Ever since she was fifteen, Tralala has been sexually active, often taking men to the park for sex. She distinguishes herself from other girls because unlike them, she refuses to play games and is unfussy about the men that she sleeps with. For Tralala, sex is just sex. Tralala starts to frequent the Greek Bar where along with her friends, she picks up sailors and robs them of their money.

Their tactic is to promise the sailors sex before taking them around the corner where someone is waiting to knock them out with a brick.

Eventually, Tralala decides she can earn more going out on her own. She meets a doggie in Greeks and begins talking to him. However, the doggie seems to like talking too much. The lack of action frustrates Tralala so much, she picks up an Browse all BookRags Study Guides.

All rights reserved. Toggle navigation. Sign Up. Sign In. Get Last Exit to Brooklyn from Amazon. View the Study Pack. View the Lesson Plans. Plot Summary. Part IV: Tralala. Part V. The Strike. Free Quiz. Topics for Discussion. Print Word PDF. This section contains 1, words approx. Summary Ever since she was fifteen, Tralala has been sexually active, often taking men to the park for sex. View a FREE sample.

More summaries and resources for teaching or studying Last Exit to Brooklyn. Last Exit to Brooklyn from BookRags.

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Too Horrible [LAST EXIT TO BROOKLYN]

The watchmen that go thou: the city found me: to whom I said, Saw ye him whom my soul loveth? Song of Solomon ,3. There was no real passion. Just diversion. She hungout in the Greeks with the other neighborhood kids. Nothin to do. Sit and talk.

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Last Exit to Brooklyn by Hubert Selby Jr

Uli Edel, the director, whose best-known previous effort in the U. As powerful as this story was, its sledgehammer aesthetics were more brutalizing than sensitizing, and while it had all the authenticity of a personally conducted tour of hell, it left me feeling bruised but not wiser. In comparison to, say, James T. The story is a catalog of cruelties — cruelties that are initially inflicted by the heroine who rolls drunk soldiers and seamen or sets them up to be rolled and at the end are inflicted upon her. In one episode, for instance, Tralala knocks a soldier with a wounded leg unconscious. Angry and impatient that he has wanted to spend a whole hour talking to her, she pockets his cash and throws away his wallet.

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