Michael Baxandall and Ernst Kitzinger, to cite just two examples, both recalled that the Grundbegriffe was the first art historical text that caught their attention and excited them about art history. A new English translation of the Kunstgeschichtliche Grundbegriffe , edited by Levy and Weddigen and with a critical introduction by them, came out with Getty Publications in Its dissemination from Buenos Aires to Beijing may qualify this book as one of the most widely read works of art history ever written. Who were the champions of this text who saw to its translation and dissemination and who were its opponents? What audiences did it reach and to what uses has it been put, up to today? What was the role of this text, if any, in design schools?

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Kunstgeschichtliche Grundbegriffe : Das Problem Der Stilentwicklung in Der Neueren Kunst

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Heinrich Wölfflin’s Kunstgeschichtliche Grundbegriffe, 1915–2015


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