AVE MARIA ARCADELT PDF

Language: Latin Instruments: A cappella. Description: arranged by Pierre-Louis Dietsch from the original chanson " Nous voyons que les hommes " composed by Jacob Arcadelt for female voices. The bass part in particular is entirely Dietsch's work. Various editors have changed barlines, note lengths, and word underlay to reflect what they considered correct Latin word stress. Original text and translations may be found at Ave Maria. Dynamics suggested by editor.

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Language: Latin Instruments: A cappella. Description: arranged by Pierre-Louis Dietsch from the original chanson " Nous voyons que les hommes " composed by Jacob Arcadelt for female voices. The bass part in particular is entirely Dietsch's work.

Various editors have changed barlines, note lengths, and word underlay to reflect what they considered correct Latin word stress. Original text and translations may be found at Ave Maria. Dynamics suggested by editor. Editor: Guido Gonzato submitted Editor: Marco Gallo submitted Score information: Letter, 3 pages, General Information This work has been misattributed. See notes for details and correct composer below or see the discussion page. External websites: Text and translations Original text and translations may be found at Ave Maria.

Navigation menu Personal tools Log in Request account. Namespaces Page Discussion. Views Read View source View history. Support CPDL. CPDL sponsor. CPDL affiliated site. This page was last edited on 21 February , at Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms.

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Pierre-Louis Dietsch

Pierre-Louis-Philippe Dietsch also Dietch , Dietzch , Dietz 17 March — 20 February was a French composer and conductor, [1] perhaps best remembered for the much anthologized Ave Maria 'by' Jacques Arcadelt , which he loosely arranged from that composer's three part madrigal Nous voyons que les hommes. Dietsch was born in Dijon. The libretto by Paul Foucher and H. The similarity of Dietsch's opera to Wagner's is slight, although Wagner's assertion is often repeated. He died in Paris aged Dietsch presented the work as a discovery of a four-voice Ave Maria by Arcadelt, when in fact it was Dietsch's own arrangement of Arcadelt's three-voice chanson Nous voyons que les hommes. I was astonished, therefore, when I learned from Dietsch

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